Jayakrishna is a dark-skinned guy who falls head over heels on Deepu but keeps his feelings to himself. As time passes by, a gang in his college beats him up and this issue brings Deepu closer to him. Slowly the friendship turns into love and this does not go well with Deepu’s brother Rama Raju. The rest of the story is as to how the couple reunites after facing several problems.

Colour Poems (1974, 12 mins) 　　'Titles within the film are: Numen of the Boughs, Old Boots, Speed Bonny Boat, Lapping Water, Incense, Aha, Brave New World, Things, Terra Firma. A poem started in words is continued in images - Part of another poem as an addition to the picture - Some images formed by direct-on-film animation - Others 'found' by the camera"

Colour Poems (1974, 12 mins) 　　'Titles within the film are: Numen of the Boughs, Old Boots, Speed Bonny Boat, Lapping Water, Incense, Aha, Brave New World, Things, Terra Firma. A poem started in words is continued in images - Part of another poem as an addition to the picture - Some images formed by direct-on-film animation - Others 'found' by the camera"

The true story of a man who posed as director Stanley Kubrick during the production of Kubrick's last film, Eyes Wide Shut, despite knowing very little about his work and looking nothing like him.

The Colour Rush is a music video about colour

Told through a unique collection of iconic archival footage brought to life in stunning colour for the very first time, Australia in Colour tells the story of how Australia came to be what it is today. Narrated by Hugo Weaving, the series is a reflection on our nation’s character, its attitudes, its politics and its struggle to value its Indigenous and multicultural past. Australia in Colour gives us a chance to look at Australia’s history from a fresh perspective.This four-part series curates classic historical footage, as well as home movies and never-before-seen archival material to chart how Australia has developed as a nation. From the oldest surviving footage captured in Australia – in 1896 in Sydney’s Prince Alfred Park – to the beginning of colour television in the mid-1970s, each sequence has been lovingly restored and colourised with historical accuracy. The effect is remarkable, bringing to light history that is both shared and deeply personal.

被虐待的艾米丽长大了，但她的精神上仍然没有意识到她所受的创伤。她相信，通过痛苦，你会看到爱，她决定做最后的情书，分发给世界。